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Guitar Pedals

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  1. EBS Micro Bass II

    EBS Micro Bass II

    330,00 €

    THE EBS MICROBASS II PREAMP IS THE BASS PLAYERS ‘SWISS ARMY KNIFE’. A DI BOX, TWO-CHANNEL PREAMP, WITH SPEAKER SIMULATION, EFFECTS LOOP, PHONES OUTPUT AND LOADS OF OTHER GREAT FEATURES. THIS IS THE ULTIMATE BASS TOOL. PERIOD! Two Channels and A Useful Loop. The MicroBass II can be used as an active direct box, a one or two channel preamp, instrument switcher or blender. The two channels provide sound shaping from high end solid-state types to distorted timbres, using the awarded tube emulation circuitry found in the EBS range of professional bass heads. An incorporated effects loop gives the user added flexibility for connecting to other effect pedals, or for mixing in an external audio source such as a CD player for rehearsal purposes. Unmatched Flexibility. The balanced output with speaker simulator option provides unmatched flexibility in live and studio situations. Footswitches control mute and channel operation/switching. Other features include headphone output, low battery indicator, link and master outputs, bass, ‘sweepable’ midrange, treble, bright and edge filters, drive and effects mix controls. The EBS MicroBassII delivers that big, burning EBS sound wherever you go. Learn More
  2. EBS DPhaser

    EBS DPhaser

    150,00 €

    THE EBS DPHASER OFFERS THREE VERY DISTINCT AND DIFFERENT PHASER EFFECTS. SELECT EVERYTHING FROM CLASSICAL 70’S SOUNDS UP TO HYPER MODERN SWARLING PHASING EFFECTS. From the 70's to the 21st Century! The DPhaser offers three different modes of stunning phaser effects. Short is the classic phaser effects recognized from the 70's, Long emphasize the effects a bit more, while Wide gives you extrem swirling flanger-like effects. Hi, Lo and Off decides the resonance of the effect while the two controls change the width and rate. Under the hood. In addition you can set a lot of parameters inside the box for fine tuning your sound. These controls include setting the centre frequency for the sweep controlled by the Width knob, adjusting the gain for the output signal to prevent signal loss, settings for bypass and types of effects (further explained in the manual). Digital technique - analog sound. The pedal is built with the highest quality components and uses 24-bit digital processing circuitry for outstanding performance on stage and in the recording studio. While the pedal offer juicy analog sound, the use of digital technique makes it possible to fit in the compact format that the Black Label Pedals offer. Learn More
  3. EBS DynaVerb

    EBS DynaVerb

    150,00 €

    THE EBS DYNAVERB OFFER EIGHT DIFFERENT TRUE STEREO DIGITAL REVERB EFFECTS, FROM ROOMS, TO PLATES, TO HALLS. ALL IN A COMPACT PEDAL. Outstanding performance. The EBS DynaVerb use a 24-bit digital processing circuitry for outstanding and noiseless performance on stage and in the recording studio. It has stereo input as well as stereo out. The foundation. The DynaVerb feature three different Modes or types of reverb - Room, Plate and Hall. Room and Plate can run in three variations, A, B and C (explained in detail in the manual), while the Hall reverb offers two variations A, B (C same as B). It makes a total of 8 different reverbs. The controls simply set the volume for the tone (Tone), and how much of the reverb you'd like to blend in (Reverb). Serial, or parallel. Inside the box, you can change the pedal to run in parallel mode, if preferred in the studio. Evolution. The DynaVerb was first introduced in 2002. From the 2008 edition improvements added 3 dB higher headroom and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. Not just for the bass player. The EBS DynaVerb is highly recommended to use with guitar and keyboard - even vocals. The Stereo in and out adds to the usability and the excellent sound quality is comparable to any studio rack unit. It is strongly recommended to use the DynaVerb with a 9V DC power adaptor, such as the EBS AD-9+. Consider battery use only as a backup solution. Learn More
  4. EBS Metal Drive

    EBS Metal Drive

    150,00 €

    THE EBS METALDRIVE DELIVER PURE, MEAN, METAL DISTORTION FOR BASS - AND BEYOND. A NATURAL EXTENSION OF THE MULTIDRIVE, FOR THOSE WHO NEED MORE... Distortion with full bottom! EBS MetalDrive delivers high-gain distortion for use in modern metal music, and other music styles that call for a mean distorted sound. It works equally well with guitar, and handle drop tuned guitars, 7-, and 8-string guitars without choking. Easy to operate. The pedal works in Standard, Flat and Tubeism mode with controls for Distortion and Output - simple but effective! The MetalDrive uses True Bypass. The Black Label Pedals provide great tone for guitar, keyboard and other instruments as well. They are smooth working effects with very little or no noise and a fat tone that keep the bottom solid. Learn More
  5. EBS MD Multi-Drive

    EBS MD Multi-Drive

    190,00 €

    THE EBS MULTIDRIVE IS A 'CLASS A' OVERDRIVE PEDAL, CAPABLE OF PRODUCING SUSTAIN, OVERDRIVE AND MANY OTHER USEFUL 'TUBE AMP' DISTORTION SOUNDS. Spice up your sound! The MultiDrive is considered an overdrive, more than a distortion pedal. The mode switch selects Tubeism, Standard or Flat overdrive type sounds. All with a preserved bottom since the pedal let through the low frequencies untouched and solid. With guitar, it provides a slightly overdriven bluesy tone with lots of sustain and body. This is the pedal to spice up your sustain! Evolution. The MultiDrive was first introduced in 2001. The 2008 edition improvements added 3 dB higher headroom, higher sensitivity and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. Learn More
  6. EBS Bass IQ

    EBS Bass IQ

    135,00 €

    THE EBS BASSIQ IS AN ANALOG ENVELOPE FILTER PEDAL THAT IS TRIGGERED BY THE NOTES YOU PLAY. THE RESULTS ARE THE FUNKIEST AND MOST RESPONSIVE SOUNDS IN A STOMP BOX. Auto-Wah or Funkadelic Sounds.The pedal achieves sounds ranging from the classic auto-wah to your own unique space-bass or ”Funkadelic” sound. It features controls for threshold and attack, and runs in three different modes, Hi-Q, Up and Down. The BassIQ with the unique Down mode set can be used along with an EBS OctaBass to achieve a synth-bass sound. Evolution. The BassIQ was first introduced at the millenium shift. From the 2008 edition improvements added 3 dB higher headroom, higher sensitivity (makes it easier to dial-in) and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. More than meets the eye. There are several trim pots inside the BassIQ. Such as High-pass filter mix-in, Gain trimmer and Dynamic high-pass filter mix-in. BassIQ - with guitar? The pedal is just as cool with guitar as with bass, and a favorite envelope filter with Prince/Justin Timberlake guitarist Mike Scott, among others. Learn More
  7. EBS TremoLo

    EBS TremoLo

    150,00 €

    THE EBS TREMOLO IS A STEREO VINTAGE TYPE TREMOLO OR SWEEPING FILTER EFFECT FOR GUITAR, BASS AND KEYBOARD. Unbeatable. Nothing compares to a true analog effect when it comes to Tremolo pedals. The EBS TremoLo offer full bodied fat sound, in a tiny but sturdy little box that fits nicely on any pedal board, delivering all that great tremolo effects you've always aimed for. Perhaps most known as a guitar effect, the tremolo can add nice character to bass as well (just listen to the samples by Porcupine Tree bass innovator Colin Edwin below!) Several choices. Use the controls to set the Depth and Speed of the effect. The sweep character can be set to choice of three different waveforms; sine, square and sawtooth waveforms and offers volume or filter type of effect. Mono or Stereo. The EBS TremoLo pedal operates in mono or true stereo with auto panning of the tremolo effect. The EBS TremoLo use true bypass techniques. Learn More
  8. EBS Multi Compressor

    EBS Multi Compressor

    150,00 €

    THE EBS MULTICOMP IS A HIGH PERFORMANCE, ANALOG COMPRESSOR PEDAL, WITH A CHOICE BETWEEN SOLID STATE, TUBE SIMULATION AND MULTI-BAND COMPRESSION. Make Your Sound Even Better. The MultiComp can make a good sounding instrument sound even better. Once you’ve tried it, you’ll never want to play without it! The EBS MultiComp is equally good for guitar as bass, and is the best selling EBS pedal ever reaching 'Hall of Fame' status at some of the most well known online stores. Less is more. The MultiComp may be the easiest compressor around to dial in. Since it is so smooth and well though out, all you need is to set the level of Comp/Limit with one knob, Gain with another, and then choose the type or mode of compression between Tubeism, Multi Band (MB) and Normal. Done! For those that need more, there is an Active/Passive switch on the side as well as an internal trim pot for the Threshold located under the hood. Evolution. The MultiComp was first introduced in 1998. From the 2008 edition improvements added 3 dB higher headroom, higher sensitivity and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. Note: A proof of the quality of this pedal is that all bass on Lamb Of God's Grammy Nominated album, Resolution, was re-amped through an EBS MultiComp. The pedal an also be spotted in John Campbell's live setup marked with a big yellow tape that says 'ON'. In other words, it has become a major impact on Lamb of God's bass sound. Learn More
  9. EBS Uni Chorus

    EBS Uni Chorus

    210,00 €

    THE EBS UNICHORUS LET YOU CHOOSE BETWEEN LOW NOISE STUDIO QUALITY CHORUS, FLANGE AND PITCH MODULATION EFFECTS. Analog Processing. The pedal is built with the best analog processing circuitry available. This gives a smoother, warmer and fatter sounding chorus/flange effect, useful both for live and studio performances. The pedal output can run in mono or stereo. Effect mix level. Under the hood of the UniChorus, there's a mix level control that let you decide how much or little of the effect you'd like to be blended with the original tone. See the manual for details. Evolution. The UniChorus was first introduced in 1997. From the 2008 edition improvements added 3 dB higher headroom, higher sensitivity (makes it easier to dial-in) and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. Not just for bass players. The UniChorus is suitable for bass as well as guitar and keyboard. Learn More
  10. EBS Octabass

    EBS Octabass

    130,00 €

    THE EBS OCTABASS ANALOG OCTAVE DIVIDER CREATES A SINGLE NOTE ONE OCTAVE BELOW THE PITCH OF THE PLAYED NOTE, ADDING A NEW DIMENSION TO YOUR SOUND. Track your note. The pedal recognizes two or three-note chords and trigger the lowest note. Control the level of the original tone and mix in the octave effect. Choose between High, Mid or Low Range - which relates to the character of the sound of the sub-note. Hints. Sub-notes are perhaps most effective when playing on the higher frets, and could add a nice touch just slightly blended into the original tone, especially on a solo on bass or guitar. The OctaBass works really good together with distortion as well, but remember to keep the OctaBass before the drive in the signal chain, so it get’s as clean as possible tone to trigger. If you are after a synth-bass type of sound, a great way to achieve that is to run an OctaBass, combined with an EBS BassIQ envelope filter, and use the ‘Down’ mode on the IQ. That makes the impression of hitting a key on a keyboard, and adds that sub-bass as well as synth sound to the tone. The original EBS effect! The OctaBass was the very first stompbox effect from EBS. This classic effect was introduced in 1992, and based on an onboard effect featured in the legacy EBS Taurus combo. It has become 'classic' after being a trusted companion to legendary bassists like Tony Levin, Roger Glover, Marcus Miller, Tal Wilkenfeld & many many more... The 2008 edition improvements added 3 dB higher headroom, higher sensitivity and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. Learn More

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